Work

A workbench for designing writing systems, not for setting text. Each script borrows a mechanism from a real one in history, and comes out as a sheet, a preset or an installable font.

Sound made from code, never recorded. A studio for designing it, layer by layer, and decks for playing it live.

One very large canvas on which a story is told during a concert. The camera travels between its areas, cued by the performers and the music, while the code being played is drawn as writing.

What should a typeface for live coding be? A paper that answers with a family of writing systems rather than a single font, from the evidence on reading and the mechanisms the world's scripts invented.

A top-down space game of trade, war and survival. One pilot, nine powers, a swarm that hunts the lonely, and an economy that runs whether or not you are looking at it.

VJ software that draws everything in characters. Two decks, hundreds of audio-reactive scenes, a crossfader, and code from the stage written over the image. "Future proof ASCII vjing for yesterday."

The live-coding community in Strasbourg: open workshops, jam sessions, and the Chaos Lab evenings where code becomes an instrument. A node of the international TOPLAP network, and an association since July 2026.

A family of three tools for generative image: a CUDA renderer for planetarium domes, its port to the browser on WebGPU, and a VJ workshop for mixing and projection mapping live.

An evidence-backed knowledge system mapping who controls information, how that control changes over time, and where it meets political, economic and personal interests.

Collects articles from around 140 feeds in eight languages, groups them into stories across languages, and measures tone, emotion and sensationalism.

A browser live-coding language where a supermarket becomes a synthesiser.

A series of albums of live-coded sound and generative image.

An interactive installation about the perpetual struggle of humans against the hold of machines, inspired by the 1990s’ anxiety about digitising everything. At its heart, the Server: a devouring entity whose cables tie tiny computers to cathode-ray screens.

The visuals for Letherique’s first album: a desert under a ringed sky, ruins, and a figure walking through a circle of light.

Visuals for DJ Stingray with the BFF collective, streamed online for Refraction Festival.

Two machine-operators improvising code, rhythm and light against each other, live.

A dancer's body as screen: Kinect-tracked, audio-reactive mapping in four acts.

A real-time abstract voyage for one chapter of a hand-made Blu-ray mixtape.